Blue and white sketchbook collage explorations

I've always loved the color blue, in all its variations, and been attracted to nearly any patterned blue and white pattern/motif (as evidenced above in a quick stroll with camera through my home.) In culling materials for collage, I rarely find blue and white patterns that are large enough in scale to use in my work... but I rip them out anyway, just in case! 

I recently decided to play with the blue and white bits in my sketchbook. I painted rough swatches of black gesso across a spread and am beginning my small-scale explorations in blue and white there. The process is already giving me new ideas and directions for future, larger, pieces. I'm especially enjoying responding to the rough-edged black patches by adding collage elements and have already started another series on paper that experiments with large gessoed areas of black as a basis for further collages. 

 

Non-linear visual journalling

Sketchbooks, "legacy" projects, and visual journalling have somehow figured in many of my conversations over the last week or so. Funny how ideas connect, collide, and enhance each other in unpredictable ways!I participated in a really wonderful and inspiring workshop on visual journalling with Judith Cassel-Mamet, sponsored by Abecedarian Gallery, over the weekend. I loved Judith's premise that a visual journal needn't be linear. The idea of working a bit on many pages simultaneously, back and forth, in the spaces (intervals) between things, in small moments, really resonated with me. Not surprisingly, working in a layered and additive manner appeals to me as a collagist.It was great fun to work rapidly and freely with mixed media approaches to the pages. I have lots of wild new thoughts about journalling and artist book possibilities.I've decided to try integrating my art idea sketchbook (existing) into an idea/visual/fun/life journal. It's all intertwined anyway. However, my junk mail journal, which has been rather dormant of late, will remain its own entity... as it has a long, storied, and independent history!Hopefully I'll have pages from the sketch-journal (or whatever I eventually decide to call it!) to post here from time to time. The experimental piece shown is a cropped portion of a multi-layered mixed media piece that I worked on during the workshop, then simply taped into my book, to await further play (or not). We'll see... happily, anything goes.

1.26: "So completely different at night..."

When artist/friend Catherine Dixon and I went to see "1.26," a piece of public art by Janet Echelman on display for the Biennial of the Americas last week, our impressions were captured by an audio crew... you can hear both of us expounding on the soundtrack of this video. I'm quoted at the beginning and the end, plus somewhere in the middle. (Unless we are "virtual" friends, you'll probably recognize my voice.) The crew really captured what people all along the sidewalk, under the artwork, were experiencing and saying.

1.26 Teaser Trailer - Janet Echelman from Zerosun Pictures on Vimeo.Janet Echelman was commissioned to create a sculpture that would suspend over 14th Street in Civic Center Park. http://www.echelman.com/denver.html

Denver's Biennial of the Americas

I've thoroughly enjoyed dipping in and out of events related to Denver's Biennial of the Americas over the last month. I didn't make it to the more heavily promoted Roundtable speaker series, but have focused my attentions on the art happenings around town.

"The Nature of Things" exhibition at the renovated McNichols Building is quite wonderful. Westword's Michael Paglia has written a comprehensive review of the artwork there and elsewhere. I've been to several really good talks as part of the speaker series there too.

 I love the whimsical transformation of the outdoor space by Jeronimo Hagerman (see above). Adding the vegetation to the capitals on the building is intriguing from the exterior but also refreshing and engaging when glimpsed from the windows on the third floor of the exhibition. I just wish the McNichols exhibition and talks had been free throughout the Biennial, rather than just during the last week -- I think they would have been so much better attended and as a result provoked much more consideration and discussion.

Civic Center Park looks fabulous. The gardens are amazing this year with creative plant combinations that compel me to pull out my camera again and again.

My favorite Biennial work is the temporary public piece, "1.26," suspended over the street between the Denver Art Museum and Civic Center Park. Janet Echelman has created a netted aerial work that is vaguely interesting by day but phenomenal when viewed at night. My photos don't do it justice so if you are in the area, try to get down to see it some evening soon. (Or see better photos on the artist's website via link above.) The work was inspired by a simulation of the February 2010 Chilean earthquake and speaks to the "temporality and interconnectedness surrounding the 1.26 microsecond shortening of the day that resulted from the redistribution of the earth's mass." Most of the people looking at it last night seemed to think it looked like a jellyfish or a butterfly, but from certain vantage points it has both ethereal and explosive qualities. Truly wonderful.